Welcome to the monthly children’s book review feature here at Bird Meets Worm! My team of reviewers—Joan Charles, Laurie L. Young—and I are thrilled to pieces to be celebrating an exciting variety of gorgeous children’s books across all genres that delight, challenge and intrigue! Here at Bird Meets Worm we believe the world is a better, happier, more empathetic place for you and me and everyone when we connect through the magic of storytelling. Look for a new review on the second Wednesday of every month.
FLY
Written by Brittany J. Thurman • Illustrated by Anna Cunha
Picture Book (ages 3-8) • 40 pages
Atheneum/Caitlyn Dlouhy Books • 2022
ISBN 978-1-534-45487-3
When Africa decides to enter a Double Dutch competition, everyone in her family is astonished. Even when her brother points out (as brothers do) that she doesn’t actually know how to Double Dutch, it just strengthens Africa’s conviction that she has what it takes to show the world what she’s made of.
With a little help from her friends, a deep connection to her Double Dutch champion grandmother and her own fierce determination, Africa truly learns to fly in this uplifting and empowering story.
This sweet picture book is a joy to look at. The playful illustrations are rendered in bright, saturated colors that pulse with the joy of learning new skills and gaining confidence.
The quiet power of this story makes it one to treasure and to visit again and again.
Buy this book:
Barnes & Noble
Independent Bookstores
Reviewed by: Joan Charles
Wednesday, August 10, 2022
Monday, August 8, 2022
Miss Meow Honored By the Cat Writers' Association
I have the most MEOWzing news to share: MISS MEOW has won a Certificate of Excellence from the Cat Writers’ Association in the category of Books/Children’s & YA/Illustration Focus! And MISS MEOW is also now a finalists for the coveted Cat Writers’ Association Muse Medallion in the same category! Meeeow!
Saturday, August 6, 2022
Miss Meow Author Story Time Read Aloud
Calling all MISS MEOW fans! Join me for a MISS MEOW read aloud story time ANYTIME! My new read aloud video in partnership with Reading.com is now live on their YouTube Channel! Video link above—so grab your kitty cat ears, curl up with your littles & let's read together! It'll be a MEOWzing good time!
Tuesday, August 2, 2022
Super Star Interviews: Gina Perry
Welcome to my monthly interview feature! I’m so excited to be interviewing all the fabulous artists, illustrators and designers I’ve meet over the years (both personally and virtually!) and sharing their artwork and experiences here on Bird Meets Worm. Look for a new interview on the first Tuesday of every month.
This month I'm pleased as sweet tea punch to be chatting it up with the rock star author-illustrator, Gina Perry! She is the author-illustrator of small (little bee books, 2017), TOO MUCH! NOT ENOUGH! and NOW? NOT YET! (Tundra, 2018/2019) and the illustrator of the Aven Green chapter book series (by Dusti Bowling, Union Square Kids). Gina lives in seacoast New Hampshire with her husband, two children, and Hank the pug. You can enjoy more of Gina's fabulous artwork here!
Q: Your fun & friendly children’s book artwork ranges from picture books to chapter books to graphic novels! Dish with us a bit about your creative process—from inspiration to sketches to final artworks.
A: I don’t think I realized how vital visiting museums was to my inspiration and creativity until I fell out of regular practice when my children were babies. Now, I make sure to visit museums of all sizes and types several times of year. Equally important might be time in nature—whether it’s a hike, weeding in the garden, or time at the beach. A relatively new form of inspiration has come from my collage work. I took a zoom class during the pandemic based on the paper cuttings of Matisse and I just fell in love. In many ways it’s the opposite of my process for illustration—messy, unplanned, nonlinear. It’s wonderful to create art in a different room, for a different purpose and then return to my digital illustration feeling refreshed.
If I’m working on a book by another author, I read the manuscript start to finish a few times. At first, I just enjoy the story and start to visualize the characters. Then I read again, taking notes on physical descriptions of people, clothing, places, etc. Details that need to line up visually with my illustrations. I usually start sketching on paper— working out a character’s shape, form, quirks and personality. For most books, I’ll share my character sketches with the editor or art director. These get passed around and come back with edits.
Next, I jump to my Cintiq and work there to tighten sketches. I’m halfway through the fourth Aven Green chapter book illustrations, and I’ve learned that I like to work chronologically start to finish with VERY rough, fast sketches. I want to make sure the compositions are varied throughout the book and working quickly lets me see the bigger picture. It also feels rewarding to ‘get through’ all the sketches before going into a longer round of work.
If the project is full color, I work up one or two final pieces of art spending a long time to find just the right palette and style for the story. It’s a playful process and so important to sort out before you slide into working on final art.
Q: This past May was the one-year anniversary of the hashtag #KidLitArtPostcard that you created! Tell us a bit about what inspired you to create the hashtag as well as what you think is the most effective way for children’s book illustrators to promote themselves.
A: I’m so proud of #KidLitArtPostcard! Social media has made it easier to share your work, but somehow harder to be seen. Making a clear hashtag and schedule felt like a way to focus illustrator promotion efforts. It’s been a success—not just in creating new opportunities for artists, but for building community and stronger portfolios.
I will share advice here that I need to follow as well: share work often. We get caught up thinking that we can only share new work. But social media (and life) spins too fast to catch all the eyeballs your work deserves. If you follow Andy J. Pizza and his podcast Creative Peptalk, he refers to resharing ‘greatest hits’ —the way he enthusiastically defines it makes it easier to accept as good practice.
Q: Give us the scoop on your MOST favorite children’s book projects: one from your past and one from your present.
A: A few years ago, I created interior illustrations for the middle grade book, OPERATION FROG EFFECT (Sarah Scheerger, Random House). It’s a story told in journal format, and one character, Blake, draws comic pages for his entries. I enjoyed developing a big base of characters and working in a loose, flat, black and white style to mimic 12-year old Blake’s art. The author wrote a fun, diverse range of scenes to illustrate—frogs, Halloween, a school egg drop, superheroes, crumpled paper, ringing alarm bells, etc. No room to be bored with all those fun things to draw! Adding to that, Sarah is one of the most supportive authors an illustrator could hope to work with. OPERATION FROG EFFECT has been widely read and acclaimed—I love seeing the continued growth with readers over the years.
Just a few weeks ago I worked on my first assignment for High Five magazine. Highlights has long been a favorite client, but it was a treat to work on a multi-page assignment with a slightly younger (and simpler) direction. I’ll never complain about drawing cute animals in aprons (that’s enough of a hint). Look for it this November!
Q: You are a kidlit rock star when it comes to school visits! What advice would you give fellow illustrators about: 1) virtual vs. in-person events, 2) how to connect locally vs. nationally and 3) developing a presentation?
A: Before the pandemic I was fairly experienced with virtual events. Most of those were short, free readings followed by a few questions. It was a great way to connect to schools across the country and get comfortable with the unexpected nature of live events. I would encourage every author-illustrator to sign up for World Read Aloud Day (February 1, 2023!) through Kate Messner’s blog.
I’m still learning about how to connect for in-person events and generally stick to a driveable radius. Having a relationship with your local independent bookstore is a great way to start. If you’ve done an in-store event they will likely refer you when libraries and school reach out to them looking for local author-illustrators.
With both virtual and in-person events, do not underestimate the magic of drawing in front of an audience. I know it can be intimidating at first, but if you can shake off your perfectionism, you will quickly understand how powerful it can be to share your talent and to include the kids in the art. Make your presentation as interactive and inclusive as possible. Developing a presentation takes a fair amount of thought and time. Share the challenges you’ve faced along with the successes. Try and break your presentation into short sections of time to keep things moving. Always leave time for Q&A and drawing. And absolutely don’t try and do too many presentations in one day. Your voice will likely give out and it can be hard to keep your place mentally when you’ve repeated yourself too much. Four is my upper limit, yours might be different.
Q: The key to long-term success in children’s book publishing is endurance + resilience. In what ways, do you practice resilience as a creative professional? How do you handle both success and rejection over time?
A: Oh gosh. This really is an important question. I’ve been at this for a long-time and I would never have guessed at half of the hardest challenges along the way. First, I think going through four years of art school where people tear your work apart in person teaches you to take some heat. Working in animation and product design taught me more of that, plus teamwork, and doing the same work over and over again. Even still, working in children’s books is hard! You need to celebrate every little success and know that sometimes taking a break from the work is the healthiest choice. A break is not quitting, it’s just recharging yourself so you can bring joy to the work. More than anything, supportive and kind artist friends will get you through the hard times and rejections.
This month I'm pleased as sweet tea punch to be chatting it up with the rock star author-illustrator, Gina Perry! She is the author-illustrator of small (little bee books, 2017), TOO MUCH! NOT ENOUGH! and NOW? NOT YET! (Tundra, 2018/2019) and the illustrator of the Aven Green chapter book series (by Dusti Bowling, Union Square Kids). Gina lives in seacoast New Hampshire with her husband, two children, and Hank the pug. You can enjoy more of Gina's fabulous artwork here!
![]() |
| Ooo! Love all the cute kiddo/pup combos! |
Q: Your fun & friendly children’s book artwork ranges from picture books to chapter books to graphic novels! Dish with us a bit about your creative process—from inspiration to sketches to final artworks.
A: I don’t think I realized how vital visiting museums was to my inspiration and creativity until I fell out of regular practice when my children were babies. Now, I make sure to visit museums of all sizes and types several times of year. Equally important might be time in nature—whether it’s a hike, weeding in the garden, or time at the beach. A relatively new form of inspiration has come from my collage work. I took a zoom class during the pandemic based on the paper cuttings of Matisse and I just fell in love. In many ways it’s the opposite of my process for illustration—messy, unplanned, nonlinear. It’s wonderful to create art in a different room, for a different purpose and then return to my digital illustration feeling refreshed.
If I’m working on a book by another author, I read the manuscript start to finish a few times. At first, I just enjoy the story and start to visualize the characters. Then I read again, taking notes on physical descriptions of people, clothing, places, etc. Details that need to line up visually with my illustrations. I usually start sketching on paper— working out a character’s shape, form, quirks and personality. For most books, I’ll share my character sketches with the editor or art director. These get passed around and come back with edits.
Next, I jump to my Cintiq and work there to tighten sketches. I’m halfway through the fourth Aven Green chapter book illustrations, and I’ve learned that I like to work chronologically start to finish with VERY rough, fast sketches. I want to make sure the compositions are varied throughout the book and working quickly lets me see the bigger picture. It also feels rewarding to ‘get through’ all the sketches before going into a longer round of work.
If the project is full color, I work up one or two final pieces of art spending a long time to find just the right palette and style for the story. It’s a playful process and so important to sort out before you slide into working on final art.
![]() |
| Cast & Crew: Aven Green |
Q: This past May was the one-year anniversary of the hashtag #KidLitArtPostcard that you created! Tell us a bit about what inspired you to create the hashtag as well as what you think is the most effective way for children’s book illustrators to promote themselves.
A: I’m so proud of #KidLitArtPostcard! Social media has made it easier to share your work, but somehow harder to be seen. Making a clear hashtag and schedule felt like a way to focus illustrator promotion efforts. It’s been a success—not just in creating new opportunities for artists, but for building community and stronger portfolios.
I will share advice here that I need to follow as well: share work often. We get caught up thinking that we can only share new work. But social media (and life) spins too fast to catch all the eyeballs your work deserves. If you follow Andy J. Pizza and his podcast Creative Peptalk, he refers to resharing ‘greatest hits’ —the way he enthusiastically defines it makes it easier to accept as good practice.
![]() |
| So totally adorbs!!! |
Q: Give us the scoop on your MOST favorite children’s book projects: one from your past and one from your present.
A: A few years ago, I created interior illustrations for the middle grade book, OPERATION FROG EFFECT (Sarah Scheerger, Random House). It’s a story told in journal format, and one character, Blake, draws comic pages for his entries. I enjoyed developing a big base of characters and working in a loose, flat, black and white style to mimic 12-year old Blake’s art. The author wrote a fun, diverse range of scenes to illustrate—frogs, Halloween, a school egg drop, superheroes, crumpled paper, ringing alarm bells, etc. No room to be bored with all those fun things to draw! Adding to that, Sarah is one of the most supportive authors an illustrator could hope to work with. OPERATION FROG EFFECT has been widely read and acclaimed—I love seeing the continued growth with readers over the years.
Just a few weeks ago I worked on my first assignment for High Five magazine. Highlights has long been a favorite client, but it was a treat to work on a multi-page assignment with a slightly younger (and simpler) direction. I’ll never complain about drawing cute animals in aprons (that’s enough of a hint). Look for it this November!
Q: You are a kidlit rock star when it comes to school visits! What advice would you give fellow illustrators about: 1) virtual vs. in-person events, 2) how to connect locally vs. nationally and 3) developing a presentation?
A: Before the pandemic I was fairly experienced with virtual events. Most of those were short, free readings followed by a few questions. It was a great way to connect to schools across the country and get comfortable with the unexpected nature of live events. I would encourage every author-illustrator to sign up for World Read Aloud Day (February 1, 2023!) through Kate Messner’s blog.
I’m still learning about how to connect for in-person events and generally stick to a driveable radius. Having a relationship with your local independent bookstore is a great way to start. If you’ve done an in-store event they will likely refer you when libraries and school reach out to them looking for local author-illustrators.
![]() |
| Miss Gina rocking a school visit! |
With both virtual and in-person events, do not underestimate the magic of drawing in front of an audience. I know it can be intimidating at first, but if you can shake off your perfectionism, you will quickly understand how powerful it can be to share your talent and to include the kids in the art. Make your presentation as interactive and inclusive as possible. Developing a presentation takes a fair amount of thought and time. Share the challenges you’ve faced along with the successes. Try and break your presentation into short sections of time to keep things moving. Always leave time for Q&A and drawing. And absolutely don’t try and do too many presentations in one day. Your voice will likely give out and it can be hard to keep your place mentally when you’ve repeated yourself too much. Four is my upper limit, yours might be different.
Q: The key to long-term success in children’s book publishing is endurance + resilience. In what ways, do you practice resilience as a creative professional? How do you handle both success and rejection over time?
A: Oh gosh. This really is an important question. I’ve been at this for a long-time and I would never have guessed at half of the hardest challenges along the way. First, I think going through four years of art school where people tear your work apart in person teaches you to take some heat. Working in animation and product design taught me more of that, plus teamwork, and doing the same work over and over again. Even still, working in children’s books is hard! You need to celebrate every little success and know that sometimes taking a break from the work is the healthiest choice. A break is not quitting, it’s just recharging yourself so you can bring joy to the work. More than anything, supportive and kind artist friends will get you through the hard times and rejections.
Q: Describe your most perfect day.
A: Oh, it definitely starts by not unloading the dishwasher or waking the sleepy tween and teen up multiple times. I would have a quiet morning to pass in a finished assignment, sketch, write, think, and refine a picture book dummy in progress before heading out with the whole family for a long walk in the woods in the afternoon. No one will have an issue with bugs or uncomfortable shoes! Obviously, I’m not cooking dinner on this most perfect of days. A visit to the food trucks for tacos and spring rolls is just about right for all of us. Back at home we can then all sneak away to play video games or read quietly (minus a snoring pug on my lap) for a bit. Then a family movie with popcorn and a little bit of loud chaos mixed in for good measure.
A: Oh, it definitely starts by not unloading the dishwasher or waking the sleepy tween and teen up multiple times. I would have a quiet morning to pass in a finished assignment, sketch, write, think, and refine a picture book dummy in progress before heading out with the whole family for a long walk in the woods in the afternoon. No one will have an issue with bugs or uncomfortable shoes! Obviously, I’m not cooking dinner on this most perfect of days. A visit to the food trucks for tacos and spring rolls is just about right for all of us. Back at home we can then all sneak away to play video games or read quietly (minus a snoring pug on my lap) for a bit. Then a family movie with popcorn and a little bit of loud chaos mixed in for good measure.
But if I’ve learned anything, it’s that this day doesn’t really exist. My brain will edit out the kid bickering, overflowing laundry, and that we really ended up just eating what we call ‘miscellaneous’. I will fall asleep listening to the barred owls in the woods behind my house (even if it’s only in my imagination).
Thank you so much, Gina, for catching up with us here at Bird Meets Worm! XO
Thank you so much, Gina, for catching up with us here at Bird Meets Worm! XO
Wednesday, July 13, 2022
Super Star Children's Book Reviews: Frank and the Bad Surprise
Welcome to the monthly children’s book review feature here at Bird Meets Worm! My team of reviewers—Joan Charles, Laurie L. Young—and I are thrilled to pieces to be celebrating an exciting variety of gorgeous children’s books across all genres that delight, challenge and intrigue! Here at Bird Meets Worm we believe the world is a better, happier, more empathetic place for you and me and everyone when we connect through the magic of storytelling. Look for a new review on the second Wednesday of every month.

FRANK AND THE BAD SURPRISE
Written by Martha Brockenbrough • Illustrated by Jon Lau

FRANK AND THE BAD SURPRISE
Written by Martha Brockenbrough • Illustrated by Jon Lau
Cover design by Christine Kettner
Chapter Book (ages 6-9) • 64 pages
Levine Querido • 2022
ISBN 978-1-646-14088-6
A very funny chapter book about a very particular cat, whose comfortable, care-free life comes to a thudding halt when his humans bring home a puppy.
Frank has a good life. Plenty of toys, his favorite treats, and his own window view. Frank will not endure the inconveniences of another pet in the house—especially one who interrupts his naps, eats his food, and dares to lick his face. After sending many ignored messages to his humans stating that the puppy has to go, Frank feels he has no choice but to leave and find a more appreciative home—one without annoying puppies.
Frank’s adventure outside his home leads to a deeper understanding of just how good he had it, and the benefits of making friends with a new family member. This is the first book in a series and has short, simple, easy to read sentences.
The bright, whimsical illustrations created from poster paint and then digitally collaged, leave no doubt what Frank is feeling and humorously depict his discomfort.
Frank is a fresh and engaging character whose personality will be fun to watch as he is confronted with new adventures in each book.
Chapter Book (ages 6-9) • 64 pages
Levine Querido • 2022
ISBN 978-1-646-14088-6
A very funny chapter book about a very particular cat, whose comfortable, care-free life comes to a thudding halt when his humans bring home a puppy.
Frank has a good life. Plenty of toys, his favorite treats, and his own window view. Frank will not endure the inconveniences of another pet in the house—especially one who interrupts his naps, eats his food, and dares to lick his face. After sending many ignored messages to his humans stating that the puppy has to go, Frank feels he has no choice but to leave and find a more appreciative home—one without annoying puppies.
Frank’s adventure outside his home leads to a deeper understanding of just how good he had it, and the benefits of making friends with a new family member. This is the first book in a series and has short, simple, easy to read sentences.
The bright, whimsical illustrations created from poster paint and then digitally collaged, leave no doubt what Frank is feeling and humorously depict his discomfort.
Frank is a fresh and engaging character whose personality will be fun to watch as he is confronted with new adventures in each book.
Buy this book:
Reviewed by: Laurie L. Young
Super Star Children's Book Review: The Extincts—Quest for the Unicorn Horn
Welcome to the monthly children’s book review feature here at Bird Meets Worm! My team of reviewers—Joan Charles, Laurie L. Young—and I are thrilled to pieces to be celebrating an exciting variety of gorgeous children’s books across all genres that delight, challenge and intrigue! Here at Bird Meets Worm we believe the world is a better, happier, more empathetic place for you and me and everyone when we connect through the magic of storytelling. Look for a new review on the second Wednesday of every month.

THE EXTINCTS: QUEST FOR THE UNICORN HORN
Written & Illustrated by Scott Magoon
Graphic Novel (ages 8-12) • 160 pages
Published by Abrams • 2022
ISBN 978-1-419-75251-3
This action-packed, strikingly illustrated graphic novel chronicles the Rescue Ops Acquisition Rangers’s first spy mission. The team, Scratch the sabertooth tiger, Martie the passenger pigeon, Lug the woolly mammoth and Quito the Collin’s poison frog, set off to Siberia to recover the mythical healing “unicorn horn” of an extinct giant rhinoceros for their mysterious leader Dr. Z.
Along the way, the team encounters friends and enemies, danger and laughter. And before it’s all over, Scratch, Martie, Lug and Quito finds themselves questioning exactly “who are the good guys?” and “who are the bad guys,” only to be surprised by the answers.
Set firmly in the present world, The Extincts places climate change and its effects at the heart of a story that is part Captain Planet, part Indiana Jones and part James Bond, in the best possible way. Bonus non-fiction material at the end highlights extinct animals and climate change with an emphasis on how kids can be agents of positive change.
Fast-paced and full of humor & heart, The Extincts accomplishes the mission of delivering an awesome read!
Buy this book:
Barnes & Noble
Bird Meets Worm Bookshop
Independent Bookstores
Reviewed by: Jane Smith

THE EXTINCTS: QUEST FOR THE UNICORN HORN
Written & Illustrated by Scott Magoon
Graphic Novel (ages 8-12) • 160 pages
Published by Abrams • 2022
ISBN 978-1-419-75251-3
This action-packed, strikingly illustrated graphic novel chronicles the Rescue Ops Acquisition Rangers’s first spy mission. The team, Scratch the sabertooth tiger, Martie the passenger pigeon, Lug the woolly mammoth and Quito the Collin’s poison frog, set off to Siberia to recover the mythical healing “unicorn horn” of an extinct giant rhinoceros for their mysterious leader Dr. Z.
Along the way, the team encounters friends and enemies, danger and laughter. And before it’s all over, Scratch, Martie, Lug and Quito finds themselves questioning exactly “who are the good guys?” and “who are the bad guys,” only to be surprised by the answers.
Set firmly in the present world, The Extincts places climate change and its effects at the heart of a story that is part Captain Planet, part Indiana Jones and part James Bond, in the best possible way. Bonus non-fiction material at the end highlights extinct animals and climate change with an emphasis on how kids can be agents of positive change.
Fast-paced and full of humor & heart, The Extincts accomplishes the mission of delivering an awesome read!
Buy this book:
Barnes & Noble
Bird Meets Worm Bookshop
Independent Bookstores
Reviewed by: Jane Smith
Tuesday, July 5, 2022
Super Star Interviews: Lizzy Doyle
Welcome to my monthly interview feature! I’m so excited to be interviewing all the fabulous artists, illustrators and designers I’ve meet over the years (both personally and virtually!) and sharing their artwork and experiences here on Bird Meets Worm. Look for a new interview on the first Tuesday of every month.
This month I'm tickled strawberry lemonade pink to be catching up with the lovely designer, illustrator and author, Lizzy Doyle! Lizzy's adorable style and friendly, bright children's books are irresistible! She graduated from the Fashion Institute of Technology in 2012 with a degree in graphic design. Lizzy began her career in publishing designing books, craft kits, and specialty toys. She is now the creator and owner of Lizzy Dee Studio, where she creates cute characters, patterns for apparel and decor, and illustrations for licensing in her New Jersey home. You can enjoy more of Lizzy's sweet artwork here!
Q: You have TWO new board books in Workman Publishing’s Indestructibles series, Taste the Fruit! and Touch Your Nose! Congratulations! Give us the full scoop on these adorable baby books: how they came to be, your working relationship with your publisher and what makes them extra special.
A: Thank you so much, and I’m so excited to chat with you, Jane! When Workman reached out to collaborate on a new high-contrast Indestructibles series, I did a little *dance* at my desk. I was so excited to dig into a well-established series and put my spin on it.
Workman has a fabulous group of designers and editors that shape the books in an encouraging and inspiring way. Our excitement high-fived through the internet and we got started with concepts and sketches. Taste the Fruit! and Touch Your Nose! focus on bold patterns with bright foods and expressive babies. I hope little ones have as much fun looking at the books as I did drawing them.
Q: In addition to your newest titles, you have worked on numerous fabulous baby board books before. What unique considerations regarding color and design must be taken into account when specifically working on children’s books in this genre?
A: Children’s growing minds are drawn to bold, bright, contrasting colors that tell a clear story or show something new to learn. High-contrast black, white, and brights are especially engaging to newborns whose eyesight is still developing. I love drawing the big eyes and little smiles which are also stylistically attractive to little ones. The Indestructibles format makes the art more interactive since the books are chew and rip proof. This makes tummy time way more fun!
Q: As a freelance illustrator and designer, your portfolio ranges across a variety of markets from children’s books and apparel to package designs and art licensing. How do you balance juggling both promotion and client work in so many different markets?
A: I am fortunate to be signed to the Bright Agency who help me tremendously with curating work. I focus on what is exciting me at the moment and build my portfolio to reflect my current interests. Bright will then send my work to clients or show it off at the many trade shows throughout the year. I also used to work in-house at a few different publishers so I have a lot of friends that I work with sprinkled throughout the industry. The design and illustration community is a very friendly and generous bunch.
Balancing the work is a different story! I am still figuring out my limits on how much work I can handle. I tend to say yes to a lot because it is sooo hard to turn down such adorable projects! I hope to venture into more environmental work. I’m studying plants right now and working on some new art that focuses on the coolest aspects of individual flowers and vegetables.
Q: Dish with us about your MOST favorite illustrations projects: one from your past and one from your present.
A: Oooo, this is hard. One of my favorite projects from the past was designing an afternoon tea set with original Alice in Wonderland art. I enhanced the vintage art from a museum collection and arranged the illustrations in new ways on the tea cups, tea pots, mini cake stands, plates, and lots more products. We even got to highlight some of the icons in the art with gold! I use the espresso cups often.
A project from the present that I’m super proud of is my Plants and Pets puzzle with Crocodile Creek. I got to pour my heart into every little leafy detail and hide pets throughout the scene. It’s a greenhouse and pet rescue all in one. My dream come true.
Q: You are an avid collector of oddities and antiques. Tell us a bit about how your collections inspire and influence your artwork as well as which treasure is most beloved.
A: I began collecting antique books at a young age. I was attracted to the printing techniques and the detailed illustrations of plants and animals. I use the antique images in my collage work and draw from the images as reference. There are some unabridged antique dictionaries out there with thousands of pages covered in little drawings and charts. I’m lucky to have two that also double as decorations around the house. I even used some of the collected images in my first book, A B See. I also collect antique cameras, miniature toys, tea cups, and nature items I keep in an enclosed curio cabinet. Grouping and organizing objects together is a theme in my work across multiple styles. It’s satisfying to see an abundance of things working together in a composition.
Q: Describe your most perfect Sunday.
A: Waking up early and making a hot double espresso, feeding the pets, and taking my puppy for a nice long walk at a nearby nature trail. Being outside and gardening with a nice cocktail would be a great afternoon and just to round out the day, a relaxing read on the porch with the windows open and big cup of tea. Then Monday comes for more drawing and fun projects!
This month I'm tickled strawberry lemonade pink to be catching up with the lovely designer, illustrator and author, Lizzy Doyle! Lizzy's adorable style and friendly, bright children's books are irresistible! She graduated from the Fashion Institute of Technology in 2012 with a degree in graphic design. Lizzy began her career in publishing designing books, craft kits, and specialty toys. She is now the creator and owner of Lizzy Dee Studio, where she creates cute characters, patterns for apparel and decor, and illustrations for licensing in her New Jersey home. You can enjoy more of Lizzy's sweet artwork here!
![]() |
| Twin new releases for the win!! |
Q: You have TWO new board books in Workman Publishing’s Indestructibles series, Taste the Fruit! and Touch Your Nose! Congratulations! Give us the full scoop on these adorable baby books: how they came to be, your working relationship with your publisher and what makes them extra special.
A: Thank you so much, and I’m so excited to chat with you, Jane! When Workman reached out to collaborate on a new high-contrast Indestructibles series, I did a little *dance* at my desk. I was so excited to dig into a well-established series and put my spin on it.
Workman has a fabulous group of designers and editors that shape the books in an encouraging and inspiring way. Our excitement high-fived through the internet and we got started with concepts and sketches. Taste the Fruit! and Touch Your Nose! focus on bold patterns with bright foods and expressive babies. I hope little ones have as much fun looking at the books as I did drawing them.
(Psst! You can get your very own copies here:)
Taste the Fruit!
Touch Your Nose!
![]() |
| What a tasty design!! Yum! |
Q: In addition to your newest titles, you have worked on numerous fabulous baby board books before. What unique considerations regarding color and design must be taken into account when specifically working on children’s books in this genre?
A: Children’s growing minds are drawn to bold, bright, contrasting colors that tell a clear story or show something new to learn. High-contrast black, white, and brights are especially engaging to newborns whose eyesight is still developing. I love drawing the big eyes and little smiles which are also stylistically attractive to little ones. The Indestructibles format makes the art more interactive since the books are chew and rip proof. This makes tummy time way more fun!
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| Baby will have so much much with this book! |
Q: As a freelance illustrator and designer, your portfolio ranges across a variety of markets from children’s books and apparel to package designs and art licensing. How do you balance juggling both promotion and client work in so many different markets?
A: I am fortunate to be signed to the Bright Agency who help me tremendously with curating work. I focus on what is exciting me at the moment and build my portfolio to reflect my current interests. Bright will then send my work to clients or show it off at the many trade shows throughout the year. I also used to work in-house at a few different publishers so I have a lot of friends that I work with sprinkled throughout the industry. The design and illustration community is a very friendly and generous bunch.
Balancing the work is a different story! I am still figuring out my limits on how much work I can handle. I tend to say yes to a lot because it is sooo hard to turn down such adorable projects! I hope to venture into more environmental work. I’m studying plants right now and working on some new art that focuses on the coolest aspects of individual flowers and vegetables.
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| How delightful!!! |
Q: Dish with us about your MOST favorite illustrations projects: one from your past and one from your present.
A: Oooo, this is hard. One of my favorite projects from the past was designing an afternoon tea set with original Alice in Wonderland art. I enhanced the vintage art from a museum collection and arranged the illustrations in new ways on the tea cups, tea pots, mini cake stands, plates, and lots more products. We even got to highlight some of the icons in the art with gold! I use the espresso cups often.
A project from the present that I’m super proud of is my Plants and Pets puzzle with Crocodile Creek. I got to pour my heart into every little leafy detail and hide pets throughout the scene. It’s a greenhouse and pet rescue all in one. My dream come true.
Q: You are an avid collector of oddities and antiques. Tell us a bit about how your collections inspire and influence your artwork as well as which treasure is most beloved.
A: I began collecting antique books at a young age. I was attracted to the printing techniques and the detailed illustrations of plants and animals. I use the antique images in my collage work and draw from the images as reference. There are some unabridged antique dictionaries out there with thousands of pages covered in little drawings and charts. I’m lucky to have two that also double as decorations around the house. I even used some of the collected images in my first book, A B See. I also collect antique cameras, miniature toys, tea cups, and nature items I keep in an enclosed curio cabinet. Grouping and organizing objects together is a theme in my work across multiple styles. It’s satisfying to see an abundance of things working together in a composition.
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| What "eye spy" eye candy! |
Q: Describe your most perfect Sunday.
A: Waking up early and making a hot double espresso, feeding the pets, and taking my puppy for a nice long walk at a nearby nature trail. Being outside and gardening with a nice cocktail would be a great afternoon and just to round out the day, a relaxing read on the porch with the windows open and big cup of tea. Then Monday comes for more drawing and fun projects!
Thanks so much. Lizzy, for chatting it up with us here at Bird Meets Worm! Congratulations on your adorable new books!
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