Tuesday, April 4, 2023

Super Star Interview: Juliana Perdomo

Welcome to my monthly interview feature! I’m so excited to be interviewing all the fabulous artists, illustrators and designers I’ve meet over the years (both personally and virtually!) and sharing their artwork and experiences here on Bird Meets Worm. Look for a new interview on the first Tuesday of every month.

This month I'm tickled spring azalea pink to be catching up with the 
lovely Colombian author-illustrator, Juliana Perdomo! I'm total fangirl for Juliana's gorgeous picture books and bold, bright style! She has a background as a psychologist, and as an art therapist she found her passion for children’s literature while working with children through storytelling and drawings. Her work is diverse, personal, a bit retro, joyful, with a Latin touch. Juliana's books include Sometimes All I Need is Me (EJK Writer’s Honor), El Cucuy is Scared Too with Donna Barba Higuera and Can You See It? from the senses series with Susan Verde. You can enjoy more of Juliana's work here!

Ooo! What a lovely artist in a lovely space with lovely art!

Q: I adore your bright, bold illustrations! Chat with us about your creative process—how do you begin a project? What mediums do you like best? And how do you bring it all together for a finished illustration?

A: Thank you! That is very kind of you to say. I start every personal project with an idea. It feels like a spark in my mind, and it happens after seeing something as simple as a beautiful feather laying on the ground, a childhood memory, a smell, a song or something I read that I find interesting.

Sometimes I imagine the idea as an illustration, maybe a character or a landscape. Other times I imagine the words first, and then I connect them with the drawings. I think it is really important to register my thoughts as soon as possible, so I don’t forget them. It’s great to carry sketchbooks around. If I work as an illustrator with another author, I love to read the words many, many times.

I imagine the temperature—is it going to be a cold or a warm palette? How the characters interact with each other through the pages. It helps to draw a very rough sketch to distribute the shapes on the pages first and slowly bring them to life.

I mainly work digitally now, I love using my tablet because the possibilities are infinite. I use simple shapes and then add many layers of textures that I create from photos, or personalized brushes.

Yes! Fish and flowers and bird!

Q: Your home is Bogotá, Colombia. Tell us a bit about how your city and your country inspire your art style, characters and stories.

A: I was born in a culture full of colors, music, dancing, wild animals, fruits, fun flavors, changing weathers according to the altitude and a huge and loving group of people. I feel like I can’t separate that part of me in my work, so it always comes through. It is the core of my inspiration. Since I create from what I know, I feel the stories and illustrations are more sincere.

Q: You have ten published children’s book with four more coming in the next two years! (Wowza! Very exciting!) What do you think is the key to creating children’s books that both kids and parents fall in love with? And how has your background as a psychologist and art therapist influenced your perspective on creating children’s books?

A: I think the key is to always put your heart in everything you do. Love comes through our creations. If you’re not feeling good, it is best to wait and go back to it when your mind is peaceful and centered. I try to treat every project like a cherished treasure, a space I honor with gratitude until it feels joyous.

I feel everything we learn and go through in life always influences our creative projects. As a psychologist and in art therapy I learned to connect with children through storytelling, for many it came so easily to express through words or pictures, and picture books were such a powerful tool as well. I think being so close to different kid’s realities definitely improved my stories and perspectives for creating books.

Indeed!! What a powerful sentiment!

Q: Tell us all about your MOST favorite children’s book projects you’ve worked on: one from your past and one coming out in the future.

A: My favorite children’s book project from the past, is Sometimes All I Need is Me. It was such a personal story; I feel like it was a part of my heart for many years, and to see it come to life as my authorial debut, and having such a beautiful response from others, has been very moving.

My favorite projects from the future are the senses book series with Susan Verde and How to Eat a Mango with Paola Santos. Both authors and stories resonate so much with my soul.

Q: The field of children’s book publishing is highly competitive. In what ways do you practice resiliency as a creative professional?

A: To be honest I haven’t felt the competition. It is one of the things I feel grateful for about this job. People in this industry are so nice and kind! I love how supportive they have been and I am so lucky to be surrounded by so much talent; everyone inspires me so much! I think there’s an audience for everyone, each style is different.

How dreamy!

Q: Describe your most perfect Sunday.

A: My perfect Sunday would be out in nature with my tribe—husband, son and dogs. We would walk and explore the bewitching greens, have fun, eat sandwiches and lemonade, maybe find a river, and a heart melting sunset.

Thank you SO much, Juliana, for chatting it up with us here at Bird Meets Worm!!

Thursday, March 30, 2023

Critter Lit Blog Interview


I'm so excited to be chatting it up today with kidlit rockstar, Lindsay Ward, over on the fabulous Critter Lit Blog! We're talking all about my hilarious new funny bunny picture book, NAKED BUTT BUSTS OUT—click link here! Hooray!

BONUS: you can win a FREE copy of NAKED BUTT BUSTS OUT by visiting the blog post and either commenting on it OR retweeting it!

For more information visit: www.superjane.com


Tuesday, March 21, 2023

Happy Book Birthday to Naked Butt Busts Out!


Happy Book Birthday to my hilarious, new children's picture book, NAKED BUTT BUSTS OUT! Now available everywhere books are sold! Join me and Art Makes Us to celebrate this SAT 3/25 at the NAKED BUTT Virtual Book Release Party with a read aloud & kid's craft—FREE sign-up link here! Yay! For more information click here!

Wednesday, March 8, 2023

Naked Butt Busts Out: Virtual Book Release Party


Join me and the fabulous arts organization Art Makes Us to celebrate the release of my NEW funny bunny children's picture book, NAKED BUTT BUSTS OUT! We're throwing a FREE Virtual Book Release Party, complete with a live story time read aloud, a kid's craft and Q&A, and you're invited! RSVP at the sign-up link here! Hooray!!!

Tuesday, March 7, 2023

Super Star Interviews: Katy Tanis

Welcome to my monthly interview feature! I’m so excited to be interviewing all the fabulous artists, illustrators and designers I’ve meet over the years (both personally and virtually!) and sharing their artwork and experiences here on Bird Meets Worm. Look for a new interview on the first Tuesday of every month.

This month I'm delighted to be chatting it up with the very lovely author-illustrator-explorer, Katy Tanis! I'm a big fan of her gorgeous animals and wonderous nature scenes! Katy spends most of her days chasing deadlines, but occasionally wanders to far-off places, like Madagascar, where she chases primates instead. Her work is inspired by specific ecosystems and the wonderful webs of life that they contain. She has a soft spot for the weirdos of the animal kingdom. She’s never met a color she didn’t like. You can enjoy more of Katy's artwork, books and products here!

Officially adding to my To Read Pile!

Q: Your artwork is alive with gorgeous animals!! Dish with us about your creative process and how your MA in Biology (Wowza!! Super cool!) has influenced your artwork.

A: Thank you, that is kind! My MA in Biology feels like a continuation of what I was already doing. It was a way to force a bit of focus on my overindulgent researching energy. (And it came with access to libraries of research papers! Dream!) I think the most important thing that came out of my MA is a better appreciation of nature in my own backyard and working to help nature on a more local level. (This may not be super obvious in my portfolio right now, but I have some projects in the works.)

Flora, Fauna, Fabric!

Q: Your portfolio of client work spans numerous creative markets from children’s books to toy & games to textiles to home goods & paper products. Give us the scoop on how you develop and promote artwork that caters to this wide range of fabulous markets.

A: I worked as a graphic and textile designer in the fashion industry for 12 years, so textiles and home goods feels like a natural extension of that. Many of the jobs I get, regardless of industry, are for projects that have a science or conservation focus. I think the most important thing is just to make work you are passionate about and then the right projects will find you.

Of course you do have to put your work out there so art directors can find you. I think most people find my work through Instagram or Pinterest. I always make sure to pin my new work to pinterest, so if you search “gorilla illustration” or “slow loris illustration” or “giraffe illustration” my work shows up in the top of those search results. My first two book illustration jobs had gorillas on the cover and I suspect that is how they found me! I try to think, “what is my dream illustration project? What would an art director search for to hire an illustrator for this?” Then pin work that would make them hire me for that job! When I was an in-house art director I searched on both Behance and Pinterest for illustrators. I think Instagram can be a little harder to be found via popular hashtags, but if any art director wants to make something with a #holycrossfrog or a #manedrat they are going to find me!

I got many jobs by sending out snail-mail postcards. I have not figured out what the equivalent of that is in a post-pandemic world where so many people in illustration industries now work remotely. There is the #kidlitartpostcard but that blew up so quickly your art can get lost in the mix.

"Gorilla Illustration" ;D

Q: Chat with us about your MOST favorite illustration projects: one from your past and one from your present.

A: My favorite projects are always the ones I haven’t started yet, so future projects. There is always so much excitement and possibility when they are just ideas starting to come together in your head. The project I am most proud of is my board book LOVE IN THE WILD.

The truth is that I almost always dislike projects in between the sketch phase and final artwork phase. I need deadlines or I would never get anything done, but they also stress me out. I want to dilly dally my way to final artwork, which is not the reality of the industry.

Sweetest thing!!!

Q: Being a children’s book illustrator involves connecting both with art buyers—like book publishers—and also with readers—like kids, families, teachers, etc. Tell us a bit about how you connect with each, and what advice would you give fellow kidlit folks about developing strong relationships with both art buyers and readers?


A: I feel like the MOST important connections I make in the children’s book world is with other children’s book creators. It’s so important to have a group of trusted peers to bounce ideas off of and share feedback with. I am always taking classes, attending workshops and so on which is a great way to connect with other writers and illustrators, and also editors, art directors, and agents. I also have crit groups I meet with regularly.

Shameless Promotional Plug: I am leading a WRITE. SUPPORT. SUBMIT. workshop for author/iIllustrators through The Writing Barn starting at the end of this month. (Check it out here!!) It will be a small group but I think a great way to connect and inspire each other. The very talented Tatjana Mai-Wyss will be my TA for the course.

Being easy to work with and open to feedback is a great way to keep working with art directors after you get that first job. For the age group I work for, adults are usually buying books for them so you have to first make a book that appeals to the book-buyers in children’s lives. I still actually remember quite a bit from my childhood, what I liked and why, so I keep those in mind when creating work for children. I also read, do puzzles, play games with all my nieces and nephews which really helps. They will not filter to spare your feelings like your peers might. They will give you honest feedback. Even when not talking specifically about illustration stuff, just hanging around with children in the age group you create really helps you to connect what they are passionate about. As my niece always tells me about my work “needs more unicorns!”

Ooo! My perfect Sunday definitely includes a puzzle!

Q: What would be your most ultimate DREAM illustration job?

A: I have a lot of my own author-illustrator projects I’d like to see published. The ones I am most passionate about are funny, informational fiction with ecology and conservation themes.

I would also really love to work large scale work for a zoo, aquarium, or science museum with some 3-D elements. I have done some work like this for children’s hospitals but would love the opportunity to push the 3-D aspects a bit more, to create a space that can be explored.

Q: Describe your most perfect Sunday.

A: I would wake up in a tropical or temperate forest somewhere, feeling well rested and energetic for the day. Then I’d go exploring looking for critters, preferably accompanied by one of my nieces or nephews.

Thank you SO much, Katy, for catching up with us here at Bird Meets Worm! You're a star!!!

Monday, March 6, 2023

Interview on the PlayTime Podcast: Parts 1 & 2


I'm absolutely honored to be chatting it up with kidlit super star, Denise Holmes, on the PlayTime Podcast! We're talking all about my new picture book, NAKED BUTT BUSTS OUT, and the all the nuts & bolts of indie children's book publishing in a three part series! Check it out here: Part 1 & Part 2! Hooray!

Wednesday, March 1, 2023

Interview on the Picturebooking Podcast


I'm thrilled to pieces to be chatting up my NEW picture book NAKED BUTT BUSTS OUT with Nick Patton over on the Picturebooking Podcast! Give it a listen by clicking here!